Friday, October 24, 2008

The Soundtrack of My Life

Time: 7:00AM (Well, not really. I'm cheating. That's when I set blogger to post this entry)

Music: Eels

Currently eating: Peanut Butter crackers

Music has a huge influence on me to the point where I can’t imagine living without it. Music is everywhere. Memories from my childhood/teen years are based on the songs playing in the background during a certain moment or a popular album/song during a part of my life. When I hear Alanis Morissette’s Jagged Little Pill for example, I think of learning to drive, getting my first car and working at the local ice skating rink. I thought life was so hard and Alanis’s voice rang out to my group of friends, agreeing with us. Man, did I have it wrong. Even though I wouldn’t volunteer to be 16 again, life was pretty simple back then.

Music has a huge influence on my writing as well. Not only is my main character, Pence in a band playing bass, he also has an incredible music database in his head. He’s able to pick out a Jonas Brothers song just by the bop of two teens’ heads, their dance moves and lip syncing. He doesn’t even like the Jonas Brothers. Weaving in songs, music and band references (thanks Tracy for being my band/music guru!) helps to ground the story and character to the world.

When I start to write a story, I glom onto an artist or album. At the beginning of my research and even when I sit down to write the story, I listen to the band/artist repeatedly. This usually leads to my best writing days, which in turn makes me listen to their music more. Right now, while writing Lost and Found, I’ve been stuck on the Eels. Most of the Eels library of music helps me get into the groove (I currently have 4 Eels albums), but it’s Electro-Shock Blues that really does the trick. For me, this album IS Pence. I cannot write in Pence’s POV without listening to the album, at least I’ve convinced myself of that.

I’ve included my work-in-progress playlist for Lost and Found. Have fun listening to it and maybe you'll find a song that inspires you!






So, what music gets you in the writing mood?

Sunday, October 19, 2008

Everything I Need to Know About Writing I Can Learn from The Shining

Time: 9:43 am (Hey I slept in!)
Today's highlight: Watching season 2 of Supernatural on DVD
This week's highlight: Going to Quebec City - packing is at top of to-do list.

As a horror movie buff I enjoy my October long tradition of renting as many horror flicks possible, and catching as many on TV as time allows. I thought I’d blog on one of my particular favourites, Stanley Kubrick’s, The Shining, based on Stephen King’s novel of the same title (which BTW, I haven’t actually read but will rectify shortly).

Everything I Need to Know About Writing I Can Learn from The Shining:

1. Flawed characters resonate with readers. Jack Torrance is a recovering alcholoic, a violent man who wants to set things right with his family. Wendy, his wife, is a skitish woman, living with an abusive husband, giving him yet another chance. Their son, Danny, is unlike other children. Readers can relate to different aspects of each character – they represent parts of ourselves we fear.

2. Characters have to change. But not always for the better. Jack starts off on a higher path of redemption but loses his way and descends into madness. Wendy is forced to shed her sheep clothing and defend her son like a lioness. Danny learns to use his talent. But ultimately, we revel in Jack’s fall.

3. Setting can affect plot in monstrously huge ways. The Overlook Hotel is meant to be overflowing with people – the lack of them makes it grotesque. A sudden snowstorm creates an environment of isolation and fear. Yes, setting. This is one I struggle with. I’m a heavy-dialogue writer, I tend to neglect setting. But perhaps I’m looking at it wrong. Setting is not just a description of what is out the window. It is a description of what a character perceives is out the window.

4. If there’s an obvious way for characters to escape or for the story to end, nix it. As The Shining reaches it’s arc and the characters are desperate to escape - the only means of communication, a radio is destroyed and so is the only vehicle capable of trekking through the snow. Nothing can come easy for characters. Readers are too sophisticated - they want meat with their potatoes. Plot needs to have twists and misdirection. Things can always get worse. In fact, they must.

5. Secondary characters need history and purpose. They just might save the day. Dick Hallorann, the chef at the Outlook Hotel, has a similar talent to Danny, he relates to the boy, offers advice and ultimately comes to the rescue. Minor characters can’t just be quirky portraits, they need motivation, full development, should advance the plot, introduce conflict and present solutions.

6. All work and no play makes Tracy a dull girl. Write, yes. But live, too.

7. Isolation isn’t always a writer’s dream come true. We all want to quit our day jobs, hide in a room and write. But isn’t that living in a vacuum? Some of my best ideas came to me while I was at work or hanging out with friends. Carry a notebook and a pen at all times. Self-imposed hermit-hood ain’t the way to go.

Friday, October 17, 2008

The Light Bulb

Time: Actually, I'm writing this Thursday night to post Friday, so it's 10:45pm
Dinner: In N Out..MMmmmmm, In N Out, that's what a hamburger's all about!
Music: Chet Atkins


Every writer gets asked the question, “Where do your ideas come from?” It’s expected, even if it’s not a question writers want to answer. Everyone gets ideas, right? It all depends on how you put them to paper, or IF you put them to paper.

What turns on the little light bulb over my head?

To be honest, I’ve had ideas that seem like the best in the world and either A) someone else came up with the basic idea first and probably executed it a hell of a lot better than I ever could, or B) the idea didn’t translate into a story once I sat down to write. In the long run, separating the good from the bad is the hard part. Knowing when something is working and when it’s not. Easier said than done, right?

I get ideas from everywhere. News stories (I have a folder where I keep articles I print or cut out), incidents that happen in my life, stories from friends, etc. They’re endless, but how many of those can I actually sit down and weave into a story people would want to read? Probably about 1%, and that’s being generous.

My current WIP, Lost and Found, came from watching an episode of Ellen one day, and then it bloomed into what it has manifested into from an episode of MTV’s True Life. I wasn't looking for story ideas or even thinking about writing (even though I probably should have been instead of sitting my butt in front of the television).

The weird moments are when ideas come out of the blue. Raise your hand if you’ve ever gotten an idea while shaving your legs…or how about washing your car? I have to admit; I’m raising my hand to the former, but would probably be the only one to do so (or maybe not?). How about right before you fall asleep? This seems to happen to me at least once a week and usually I’m conked out before I can do anything about it.

In the end, I guess writers just have to expect the unexpected, be prepared at all times for the light bulb to snap on. Carry around a pad of paper, a journal, heck, even a roll of toilet paper to jot down those ideas because you never know when one will pop up!

So, the dreaded question all the writers out there were hoping I wouldn't ask…where do your ideas come from?

Tuesday, October 14, 2008

Creative Burn Out

My two passions are writing and theatre--two very creatively exhausting jobs. Most of my night are spent at the theatre, herding kids on stage, teaching acting work shops, directing, stage managing, building sets, acting, painting, house managing. I do a lot of stuff there and at the end of the day (or rather, night) I'm so exhausted that I usually just go home and conk out. NOT good for the book I have sitting on my computer, waiting to be finished. So what's a girl to do when she's got a book to write AND a show to put on?

In my case, flounder around for 2 months focusing on one passion more than the other. Which, let's face it, is irritating and unbalanced and for me, not good, because I like to write something every day. 

A person only has so much creative energy, and sometimes, no matter how much you want to write, you can just sit there in front of your computer and not one word you type will end up staying in that word document. The reasons for this can be so many different things, because while we are all writers, we also have the REST of our lives to handle as well.

Here are some things that help me when my creative energy is low and I can't seem to get into writing gear:

1) Take a bubble bath. Seriously. Light some candles. Don't bring a book with you! Play some music and while you're soaking, think about whatever project you're working on. I've solved several plot holes while in my bath tub.

2) Read. Reading always inspires me to write more. I have one book--A TOWN LIKE ALICE, by Nevile Shute--which, no matter how many times I read it, after I finish it, I always want to go back to my computer and write something beautiful. Or at least attempt to. Do any of you have a always-gonna-inspire me sort of book? 

3) Take your mind off your book. Even just for an hour or two. I usually do this by going kickboxing, because I have to pay attention otherwise I'll fall over/get hit.

4) Challenge another writer friend to a word count challenge for a month! It helps you to write every day and you have someone to whine to about how hard it is sometimes.

5) Work on something else creative. Take a painting class, play some music, write a song, try cake decorating or glass blowing. Variety is good! And you never know where you'll get your next book idea! 

XOXO
Tess 

Sunday, October 12, 2008

The Plot is Always Greener




Time: 2:22am (I know - I'm insane, but I also have a cold and can't sleep - it's so early this post says "Sunday" but I consider it "Monday", so there)
Breakfast: maple and brown sugar oatmeal and a few chocolate chip cookies (it's never too early for breakfast - or breakfast dessert)
Tonight’s exciting moment: hunter’s moon shining over the trees in the backyard.
_____

A few months back I sold my first manuscript to a small New York epublisher, The Wild Rose Press, under my pen name, Judith Graves. At TWRP, all titles of a certain word count are also published in print (that'd be my book, too.) I was leery of going the epub route, but a vamp / werewolf tale is a hard sell to bigger publishers – the market is saturated with the little beasties. Also, I think I lucked out. TWRP is extremely professional.

TWRP is keen to develop their YA line, Climbing Rose. Climbing Rose is a relatively new venture for TWRP and they are in the process of generating more teen-friendly marketing – there’s talk of an author blog and other fun stuff – and they are actively seeking submissions. If you write YA or adult romance, check them out: http://www.thewildrosepress.com/

My editor, Susan Yates, is fantastic. I’m hoping to interview her for YAedge about this exciting time at TWRP. She's supportive and yet tough enough to have me sweating silver bullets over edits.

Which brings me to my actual topic for today’s post.

Edits. The word deserves to be blood red.

Edits are freaking brutal. You see your writing without soft lights and the blissful haze of someone-wants-to-buy-my-book afterglow. It isn’t pretty. It is, however, an invaluable learning experience.

"Under My Skin" is in the first round of edits with Susan and the result is a clearer story, richer imagery, deeper POVs and an overflowing paper recycle box under my desk. I changed the plot – tweaking each chapter just enough to cause a ripple effect – in both directions. Basically this edit is another draft of the story.

And I’m still not sure the plot has enough meat to keep the reader satisfied but wanting more (there are two other books in the series).

Sigh.

The point of today’s rant? The plot is always greener on the other side of the delete key.
---end of rant---

ASIDE: The sheep photo was a dream shot, an actual cliché come to life. My husband and I were visiting the Fortress of Louisbourg in Nova Scotia where history, farm animals and fog abound. http://fortress.uccb.ns.ca/homeeng/

Friday, October 10, 2008

What's in a Name?

Time: 8:20am (which is kinda early for me to be sitting here writing)
Breakfast: Nothing yet, but the coffee is calling my name.
Music: My iPod is downstairs and I really should grab it because the gardeners are here.


Names are an important part of life. It’s what we answer to and really, who we are. I actually never realized the significance of identifying with my name until recently.

I got married a little over a year ago (June 27, 2007 to be exact), but never got around to changing my last name. First I was lazy, and then things came up in life which stopped me from going through the process …until now. When someone would bring up the fact that I still had my maiden name with being married for over a year, I always complained about having to go to the Social Security office, DMV (EVERYONE hates the DMV, am I right?) and calling every single credit card company, doctor, insurance, bill, etc. to change it. It never dawned on me what changing my name meant.

Now, a month later after starting the process, I feel like I’m in an identity crisis. Paperwork still has my maiden name, others have my new one and I don’t know if I’m coming or going. Each time I have to use my last name, I wonder if I got it right when signing or answering. It’s an odd feeling that I hope goes away soon!

Now to relate my rambling to writing! I’ve come to realize in the name changing game they are just as important to my characters and also to characters in the books I read. When I don’t like a name, it pulls me out of the story each time it’s on the page. Do I want that to happen to my character? Of course not, but I also want a name that stands out and defines who my character is, inside and out. Names speak volumes and can give the reader an idea into who the character is and where he/she comes from.

In my current WIP, my male protagonist has an unusual name, Pence. I came about the name in an odd way. I was watching a baseball game, and a player on the apposing team’s name was Hunter Pence. I was in the middle of writing my first notes on the book, trying to come up with names for each character. I paused when I heard, “Hunter Pence slides into second base”. I instantly thought, “Wow, Hunter Pence, what a great name! I like the ring of it.” Of course, as I pointed out, names need to fit a person and it didn’t fit him AT ALL, but Pence did. I did a little research, realized that Pence was a super rare name and right away my character became Pence McCree. I think it fits him to a tee.

Now that all of my characters for the book have their names solidly in place, I hope the readers will see them as I do, not only fitting with their given names, but also the names shaping their identity.

I pose the question, how do you pick your characters' names?

Monday, October 6, 2008

Sometimes a Werewolf is Just a Man in a Doggie Suit:


Time: 5:30am
Breakfast: 100 calorie chocolate chip Quaker Dipps bar (2 of them)
Last night's exciting moment: watched True Blood - poor Gran

______start of rant______

Werewolves, vampires, witches, and demons are like the four food groups of paranormal fiction, and staples of my laptop’s diet. I'm a young adult paranormal fiction author - under my pen name, Judith Graves, (sounds like a confession, doesn’t it?). I'm just starting out on my writing career. I’m keen. I’m determined. I’m a tad insane (it is 5:30 am in my world).

I just might make it.

I recently had the pleasure of accepting a few author bookings, one for my local public library’s teen book club, and another for a nearby high school. Interactions with the target audience - real live teens! (Here's hoping no one sleep-drools on their desks.)

Faster than you can say, “Are those fangs in your mouth or are you just happy to see me?” my enthusiasm for the upcoming author gigs nosedived. Really, it was my own fault.

Knowing my high school presentation was going to be at a Catholic school, I asked a rather devout-but-open-to-discussion friend of mine her opinion on the paranormal four food groups. (I know, I know…I’m cringing as I type this.) I had hoped to find some common ground with this individual, a mutual recognition of the fact that we were discussing FICTION. But alas, my paranormal plate was picked clean until, apparently, we were no longer talking fantasy, and my writing was promoting the novel and movie rights aspirations of Beelzebub.

I was truly saddened by this. I write dry, sarcastic, witty characters, all of which have normal teen issues. Friends. Boyfriends. Parents. Although I admit, my stories aren’t just about growing up. This is growing up with fangs, fur and hankering for raw meat. (And you thought your high school experience sucked.)

But promoting the devil? I don’t think so. (Have you seen the Exorcist? That’s one scary dude!)

I'm flattered I was tossed into the firery pit with Rowling and her wizard boy, but never expected this kind of reaction before my book has even hit production.

I toss down the gauntlet.

Paranormal and edgy YA authors of the blogosphere – have you encountered any flack for your fiction sustenance of choice? What treats do you have, in your skull-and-cross-bones bag of tricks, to smooth over similar situations?

And in this ghoulish month of October I say to all: sometimes a werewolf is just a man in a doggie suit.

________end of rant_________

Here's a brief excerpt from my book, Under My Skin - one of the scary bits - nothing like a little fangage with your morning Chai.

...


Every few steps during the walk home, Brit fingered her nose ring.

“God, would you stop already?”

“Why? It’s not like I’m picking.” She flared her nostrils. “Ow,” she gingerly twisted the stud once more. “Ow … “

I tried hard not to retch. Considering she couldn’t participate in gym class, or run two feet without having a seizure, Brit had a strong tolerance for pain. I couldn’t even look at my new piercing, let alone play with it.

“I’ve been thinking. I’m so sorry if I stepped over the line, asking about your parents and everything.” Brit meandered down the sidewalk, nudging a large rock along with her like she needed its company. “I just wanted to get a handle on your situation. Frankly, being parentless has always been a dream of mine.”

“It’s a freaking nightmare.” I cut in front of her and kicked her rock into the air.

“Hey!” Brit’s head swivelled as she watched it rocket into the distance. “Okay, I get it.” She gave me a shove. “Parentless isn’t so fun. But you have to admit, aside from not knowing if your folks are alive, or whatever, you’re in a great position right now.”

I couldn’t believe this was coming from Brit of all people. When she was a kid she had Sammi as a kindergarten teacher, so she knew the amount of cheese I had to live with and she certainly knew how I felt about Paige. I didn’t have to keep that a secret.

“How can living with THEM, be in any way a great thing?” I asked.

“Think about it, Eryn. You’ve got all the power. If I were you, I’d be milking the we’ve-got-to-make-Eryn-happy, she’s-been-through-so-much angle. They should be eating out of your hand.”

I already felt bad enough, hiding out with relatives who had no idea the danger I could be bringing down on their heads. I didn’t want to make things any worse for them, even the thought drove me nuts. “I admit, they may not be the coolest relatives in the world, but they’ve given me a roof over my head, a safe place to crash. Haven’t you heard the expression, don’t bite the hand that feeds you?”

“If the hand is feeding you stale bread and rusty colored water, and makes a big deal about you sleeping over at your best friend’s house, which is so uncalled for - I say, ‘bite’!”

“Their water is not rusty,” I said. “Usually. There was just that one time.”

Thick clouds soaked up the sunset’s final glow until they appeared heavy with blood. A few stars shone through clear patches, and though the moon remained out of sight, I’d never seen a more dramatic night sky.

“Let’s go this way,” Brit said, and I let her haul me down a back lane. “It’s faster.”

When we passed Falcon Road, Brit insisted we cut through the woods behind the school. She had no problem with the dark, the trees, the isolation--of course, she hadn’t watched as many horror movies as I had.

The trail, the same one I’d run with Alec and his wolf, was even creepier in the fading light, but I’d give it the mother-of-all-shortcut awards if we made it to the other side--alive. At the other side was our nice, comfy subdivision with too bright streetlights and busybody old ladies staring out their windows.

Wind swirled through the trees sending a shower of autumn leaves to the earth. Bare branches clattered against each other in the shadows. It wasn’t exactly a pleasant meander through the forest. I glanced over my shoulder and hunched deeper into my coat. Brit did shoulder checks of her own. An owl hooted and we both jumped. To mask our fear, we talked louder, laughed louder, our voices shrill in the twilight.

I couldn’t shake the feeling a sinister badness was closing in on us. We were vulnerable, away from the light, shrouded by the dark. Like playing tag with a serial killer, we were begging for trouble.

I took larger strides. “Let’s pick up the pace.”

“Yeah, yeah,” Brit said, as she struggled to keep up.

I charged ahead and then stopped cold, my whole body on full alert. There was something really nasty in the woods, it stunk to high heaven.

“Wait!” I blocked Brit with my arm.

“Make up your mind!” She slapped her hands against her thighs.

“Don’t you smell that?” I asked, but before Brit could respond, a howl reverberated through the woods. Primal. Eerie. And far too close for comfort.

Brit’s expression changed from ticked off to horrorstruck.

I whipped around to see a dark shape charging from the brush. Straight at Brit.

I let out a crazy girly scream I’d be embarrassed about later. If there was a later. I rubbed at my eyes and stared in shock. I couldn’t have seen what I thought I saw, but Brit had seemed to hover in the air before she was hit, like she could have just shot up into the sky – but didn’t.

In a blur of motion I saw Brit absorb the creature’s impact, wrapping her arms around its chest and grabbing handfuls of fur. Together they rolled in the dirt, and after crashing into the base of a tree, they broke apart. The creature lurched to all fours and shook out its matted fur. My pulse leapt. This wasn’t something easily dealt with, like a rabid dog, or starving coyote. Nope, it was something worse. Paranormal worse.

We were going head to head with a werewolf.

...