Friday, March 20, 2009

The Words We Love to Use

Every writer has one. The word you seem to slip into every sentence that it could possibly work. A lot of people use the same words, all common in writing; that, was, like, just. I’m sure the list goes on and on.

This week, I have been going through the critiques that my crit group combed through on Lost and Found, my current work-in-progress. Several chapters in, I noticed I have the normal overused words, the ones I listed above. Nothing too unusual about that since Lost and Found is only in the first draft. Then, eight chapters in, one of my crit partners noticed I use toward a lot. I don’t mean everyone once in awhile, but it seemed like almost every page, I had at least one pesky toward lurking. Color me surprised. I had never noticed my love for the word toward but since she pointed it out, I decided to go through a few chapters. It seems almost every time my characters were moving to a destination, or stealing a glance, any possible place I would add toward, I did. Wanting to delete as many as possible, I went in search of my thesaurus. Surprisingly, there weren’t as many replacements as one would think. I replaced a few that would work for the sentence or scene, and then rewrote a handful of other sentences to eliminate the word that haunts my manuscript.

I was curious to really see how many times toward was in my 269 page, 1st draft. After deleting a few, I did a find in Word and counted. I was AMAZED. 137 times, toward appeared in the 269 pages. That’s an average of once every two pages! Looks like I have a lot of work to do on the second draft!

What’s your favorite word to sneak in all the time?

Wednesday, March 18, 2009

Interview with Alyson Noel, Author of Evermore and Book Club badges!

Today over at YAedge Book Club we have an interview with March's book club author, Alyson Noel! Stop by and see what she has to say about writing, the latest reads in Young Adult books and the Evermore Series!

Thanks again to Alyson for being great this month!



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Monday, March 16, 2009

Wave Bye-Bye

I'm in the city this weekend for a dreaded dentist visit. I've been counting down the days, drawing little skulls on my calendar until March 16th - this morning - dental doomsday.

But another visit, yesterday, was far scarier. And I know that anything I go through in the chair will seem trivial in comparison.

My father has Alzheimer's and this month he was placed in a locked ward as a test run on situating him permanently in a facility. A locked ward means he's shut in with others in various stages of the illness and they are not able to sneak out and wander. There's a code to the elevator - the freedom train as I saw it. There's Plexiglas on the balconies over looking the hospital courtyard - so no one can climb over the edge.

At first it was wonderful to see Dad - he recognized me and my husband, shaking with joy, and a huge, childlike smile lit his face. He held his arms open wide. My father, the most emotionally reserved man I know - but that was back in the day.

Our visit was pleasant. We saw his room. Took him to the cafeteria for some pop and a snack. I played the piano for him.

But then it came - time to leave.

I now know what it means to break someone's heart. As we approached the elevator, Dad began to shake again, but this time anxiously. He began to whisper, no...no...

And then the doors opened.

We got on the freedom train - but Dad didn't.

"Wave bye-bye." A helpful nurse told him.

With tears rolling down his face - he did.

And I waved back.

But I left him there.

I'm writing this to work out my own emotions, my sense of anger and sorrow at losing my father - a man I'm not sure I even knew - and losing him while he's looking right through me.

One of my works in progress, Losing It, features a character in the early stages of Alzheimer's. My main character, Charlie - a teen hell bent on losing her virginity - is suddenly stuck living with her grandfather, Monty. He's cantankerous, he's sarcastic and funny - he's a cute old fart and he's very like my dad.

This book has been a bitch to write. I've stopped and started several times. It's my tribute to Dad and all the families like ours out there. Here's an excerpt where Charlie discovers her grandfather and his dog, out on a walk, and begins to see just what Monty is losing:

_______


Halfway to Monty’s I saw M&M pacing at the corner of Ash and Dermot, their backs to me, their heads covered in a dusting of snow. Monty was decked out in his down filled parka and Mona, poor thing, was wearing a green tartan doggie sweater.

What were they doing? Puzzled, I hung back, watching as Monty travelled the same four feet, back and fourth, over and over again. Mona did too, curling one and then another paw up to her substantial belly, in an it’s-so-cold-I’ll-be-gimped-for-life tri-podish dance beside her master.

This was seriously shocking.

To put it in perspective - Monty’s idea of walking Mona was to take her to the grocery store parking lot on Sunday mornings, boot her out of the car and drive/coast alongside her as she took her constitutional. Mr. Outdoorsy he was not. Neither was Mona, in this weather her sashays around the parking lot consisted of a five second squat to pee and then she was hopping back in the passenger seat.

I wiped my running nose on my coat sleeve, sighed and went to see what was up with the frozen duo.

Fresh snow slid under my boots like I was walking on icing sugar. Mona turned at the sound, wining when she saw me, actually happy to see me for once.

I bent to brush the snow off her sharp beagle snout, but pulled my gloved hand back quickly when she tried to bite. Why did I always fall for those doe eyes? She glared at me for daring to touch her and showed me how a brush off was really done – she gave her small body a tremendous shake free of the white stuff. She panted triumphantly, but the falling flakes were persistent settling on her short fur and tacky sweater even as Monty finally turned to see what had her attention.

“This weather isn’t fit for man nor beast,” Monty said. In the dim streetlight his twinkling eyes, rosy cheeks and unshaven face gave him a Santa vibe. Until he spoke again, “Well, what the hell are you waiting for kid? Let’s get inside.” He gestured for me to take the lead.

And then I had a thought. A scary thought.

I acted on instinct. I twisted to face north.

So did Monty.

I faced South.

Monty did as well, clearing his throat in annoyance. “Take your time why don’t you. It’s not like we're freezing to death or anything.”

“You know what?” I put a finger to my lip, pretend thinking. “I forgot something back at Ace’s. You go on without me,” I spoke over Monty’s grumbled protest, “I’ll catch up with you guys.” I started back down the hill. After a few steps I spun to face Monty again. He and Mona were still standing at the corner. Monty’s shoulders were hunched, he looked defeated.

In long strides I returned to them.

His face said it all. Chin trembling, skin chalky.

“Oh my fucking God, you’re lost.” I said.

And that’s when I noticed why Monty’s eyes had seemed to twinkle so much. The streetlights were reflecting off his eyelashes - clumped together with frozen tears. Monty in tears. It was unbelievable. It was devastating.

After that it was easy to catch Monty’s off moments. And there were many of them – once I was looking.

The Old Spice shaving cream cup in the fridge – still frothy from Monty’s morning shave. The slow loops around the neighbourhood before picking the right alley to drive down so he could park the car in his heated, detached garage. The stumbling over certain words, and sudden changes of topic. The feeding Mona a dozen times a day, often as soon as she emptied her bowl. And most glaring, the real reason Monty’s cooking was life-threatening - he didn't know what the hell he was doing anymore.

Monty was losing his mind and the sad thing was – sometimes he knew it.

I didn’t know what to do. Who to tell. Mom was still in rehab – if I told her what was going on with Monty, she’d want me out of his house. She’d want HIM out of his house.

Since there was no where else for us to go – she’d quit her program. That was something I couldn’t live with. Better that I stay and keep an eye on Monty. I mean, how bad could it get in a few weeks? Right?

Pretty unfuckingbelievably bad.

Friday, March 13, 2009

Commitment: What it Means to a Writer

The definition of commitment is a pledge or promise; obligation.

Commitment is something all writers need; to themselves, stories, characters, and of course, their critique partners. I’m writing this post, as I sit at my desk at work after hours, several hours late on this post. This week has been crazy for me, and I’m looking forward to the much needed weekend ahead. Being busy doesn’t mean I can put the blog aside; I have an obligation to both my blog partner and the readers. This got me thinking about how big of a commitment writing really is, so I decided to break it down, at least what that word means to me in my writing life.

Commitment to story: Committing to a story can mean many things. Vague, I know, but hear me out. A writer has a certain duty to keeping with the plot of their story. Of course changes come as you complete your story and also in rewrites/edits. Most of the time, once you’ve done research and outlining/plotting the theme of your book will stay the same.
On the other hand, a writer has to commit to a story to be able to rip it apart in edits. You have to know yourself and your story enough to know what you have to do (possibly rewrite the whole story) will be better for your overall story in the end.

Commitment to characters: Committing to characters is a must when writing a solid story. Writers has to dig deep within themselves and question exactly who their characters are, what drives them, makes them who they are throughout the story. Once those questions are answered, you have to be committed to listening to what those answers means to the characters’ actions.

Commitment to critique partners: We’ve talked too much on this blog about critique partners and how important they are to a writer’s improvement. It can’t be said enough. Being a part of a crit group is all about commitment. When agreeing to join a group, a writer has to understand the work that goes into it. If everyone isn’t to everyone within the group, it will not work.

Commitment to finishing: This has to be the most important. Without finishing the book, you have nothing. No matter how hard you commit to the items I listed below, if you don’t see your work to the end, then really you’ve committed to nothing.

Wednesday, March 11, 2009

Questions for Alyson Noel!

For everyone participating in the YAedge Book Club, or if you just have a question for her, we'll be taking questions for Alyson Noel, author of Evermore this week. Please keep your questions based on any of Alyson's books or writing related. You can post them in either this post, or over at YAedge Book Club by Saturday, March 14th at 10 am PDT.

Don't forget to join in on the Evermore discussion that's heating up! We'll be discussing Evermore until the end of March.

You can vote on April's book in the poll that is located in the sidebar of the YAedge Book Club. The race is on!

Sunday, March 8, 2009

The Philosophy of the See Also



A thought occurred to me today. Life can be compared to the ultimate see also. In old school librarianship - we're talking card catalogues with author, title and subject headings entries - a see also cross-references subject headings. It directs the library patron to stuff he/she just might want to check out. Today we'd call them tags, I guess.

Say you’re looking up information on Homes – you may encounter a kindly [see also] Condominiums. A see also narrows the information retrieved from the original search, but it can tweak your interest in other directions. I think we meander through life, following the various see also’s along the way...and why not? There's lots to discover on this journey. [OMG - when did I start thinking like my mother???]

Which word appeals more to you?

Known
or Unknown

I've come to the conclusion that life is one great see also after another, taking us down paths we never expected we'd have to navigate. But that's okay. Because otherwise - this would all be just a smidge too boring.

Doesn’t the crooked line capture the eye more than the straight?

Friday, March 6, 2009

Spring is here...well, almost!

Spring is in the air in Southern California. Two weekends ago, we gave the house a good once over, putting away the winter blankets and cleaning out the dust bunnies. Last week, we enjoying fresh squeezed OJ from our orange tree, while planting beautiful rose bushes and a lemon tree as the sun blazed down warming to 80F.

These are the rose bushes that I bought.



Marilyn Monroe roses



Ronald Reagan roses

It feels good to have the house fresh and clean, the new greenery planted, which brings me around to writing. I get the same feeling when I’ve finished a chapter. Not the first draft, or the second, but when I know that I can’t move words around and make it much better. Of course, there could always be small changes, but overall, to look at a chapter, breath in deep and realize it’s clean and fresh is a great accomplishment. The last few weeks, with the help of my great critique partners, I’ve been slogging away at my WIP. Fitting the words together like a jigsaw puzzle, trying to find the cleanest way to present my characters and their feelings. It’s refreshing, and I plan to do just that, sweep the bad words away this weekend while I enjoy my clean house, new flowers and beautiful sunshine.